Search results

1

Perceptual microgenesis – what are its real-time characteristics?

100%

Bachmann T.

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vol. 17(2)

111-127

EN

According to the microgenetic stance, each following instant of perception gradually grows out from the each preceding one and is essentially a continual part of it. It is difficult to exclusively differentiate past, present and future in perception, because in the currently experienced mental reality past, present and future overlap, with no very clear borders in between. However, in the practical domain these theoretical underpinnings remain useless unless we support them by specific experimental data about the more or less precise values of measurements characterizing the real-time constraints and ranges within which the microgenetic perception unfolds. Here, the general theoretical picture of perceptual microgenesis will be supplemented with some simple data on the quantitative aspects of actual microgenesis. I will review some experimental measurements of perceptual microgenesis such as the real-time values of microgenesis, typical orders with which different characteristics of the same object/event unfold, arbitrariness with which the objective order is transformed to a subjective order, the phenomenon of proactive facilitation. Microgenetic stance will be discussed also in light of the issue of neural correlates of consciousness.

2

The effect of temperature on the properties of fresh self-compacting concrete

89%

Cygan G., Gołaszewski J., Drewniok M., Cygan G., Gołaszewski J., Drewniok M.

Archives of Civil Engineering

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2016

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issue 3

3

Planning the time and cost of implementing construction projects using an example of residential buildings

88%

Szóstak M., Szóstak M.

Archives of Civil Engineering

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2021

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vol. 67

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issue 4

4

Integrated self system: a microgenetic approach

88%

Pąchalska M.

|

vol. 17(4)

349-393

EN

This article is dedicated to my beloved mother, Zofia Kuzak, Honorary Member of the Polish Neuropsychological Society, and my highest moral authority, to honor her 100 th birthday. During the Nazi occu pation, at the age of 23, she was deport ed to Germany and forced into slave labour at a German camp, from which she managed to escape. During this escape she had to sit for three long days high up in a tree, without food and without anything to drink, something made possible by her strong physical condition. After three days, she dared to leave the tree and, in throwing the Nazis pursuing her, she ran away not to the South - to her home in Nowy Sącz, but to the North – to Poznań, where she took refuge in the apartment of other relatives, true Polish patriots. She stayed there for the years 1943–1947, keeping the accounts at the large family grocery store. The experiences from this period influenced the formation of her own self and her identity. Her stories about times of tragedy and her ways of dealing with the darkest moments in her life contributed to the fact that I became interested in the subject of the self and identity. I have prepared two monographs and several articles on this topic. This article presents a new approach to integrated self system, associated not only with the physical organism, but also with the social and cultural world. The foundation of this approach to the self is microgenetic theory, especially its account of consciousness, of the transition from self to image, act and object, the epochal nature of this transition, and its relation to introspection, imagination and agency. The affinities of microgenetic theory to many aspects of the thought process should be evident to readers of this journal, but the theory, which was developed from studies of pathological cases, rests on a wealth of clinical detail. In brief, the micro-temporal transition from archaic to recent formations (distributed systems) in the phyletic history of the forebrain constitutes the absolute mental state, with consciousness the relation of self to image and/or object. The reader will be able also to find here the overlapping of states, the continuity of the core over successive states, and subjective time experience. However, the integrated self system is associated not only with the operation of the biological brain and its complex patterns of neural connections, but also with the activity of the social mind/brain, in terms of bonds created within social groups, as well as the cultural mind/brain creating the world of cultural values, including religious ones. I will sum up with a model of self system changing in time (4D), pulsating according to the states of mind (5D) forming different numbers of “bits” of information, as marked on the x axis, and linked to the duration of memories, marked on the y axis. The self system also depends on gravity (6D), and other hyperspace dimensions hitherto unknown in neuroscience.

5

OLD AGE AND SUFFERING IN A DIMENSION OF BEAUTY AND DIGNITY OF THE HUMAN BEING

75%

GULAK S.

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issue 99

60-69

EN

It can be said that the it is the most optimistic fact that human being although feels the effect of aging on his body, can have the way of thinking always open on the eternity – what keeps his soul in everlasting youth. We all ¬professors, priests doctors, nurses, parents, teachers, and students can build new social conscience about the importance of old. The old that can be understand as the capital of wisdom of our nation, internal guide, living link to the past, guardian for the young people… Modern men living in the world of thousands meanings have to wait many years or even generations to understand what the most important thing to him is… Although old people frequently need physical help from the young they can help the young to find their road through life. Building bridges between new and old generation.

6

Simultaneity Analysis In A Wireless Sensor Network

75%

Malović M., Brajović L., Mišković Z., Šekara T.

Metrology and Measurement Systems

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2015

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vol. 22

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issue 2

7

Three-dimensional space as a medium of quantum entanglement

63%

Fiscaletti D., Sorli A. S.

Annales Universitatis Mariae Curie-Skłodowska, sectio AAA – Physica

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2012

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vol. 67

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issue 1

47-72

EN

Most physicists today still conceptualize time as a part of the physical space in which material objects move, although time has never been observed and measured as a part of the space. The concept of time here presented is that time measured with clocks is merely the numerical order of material change, i.e. motion in a three-dimensional space. In special relativity the Minkowskian four-dimensional space-time can be replaced with a three-dimensional space where time does not represent a fourth coordinate of space but must be considered merely as a mathematical quantity measuring the numerical order of material changes. By quantum entanglement the three-dimensional space is a medium of a direct information transfer between quantum particles. Numerical order of non-local correlations between subatomic particles in EPR-type experiments and other immediate quantum processes is zero in the sense that the three-dimensional space acts as an immediate information medium between them

8

Засоби та прийоми художнього осмислення повсякденності у текстах І. Роздобудько та М. Ґретковської

51%

Смаровоз (Smarovoz) І. І.

Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe

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2022

|

issue 7(4)

39-46

EN

The present article shows that as a result of historical, cultural and social changes that have aroused interest in the life and work of women, the attention of literary critics was drawn to the literary everyday life in Ukrainian and Polish modern women’s prose. Everyday life in women’s prose has become a mirror of woman’s worldview, philosophy, feelings and emotions. The significance of the study is based on the lack of the clear system of means and techniques that belong to the poetics of everyday art in literature studies. The purpose of this study is to make an attempt to systematize the means and methods of literary understanding of everyday life in the texts of I. Rozdobudko and M. Gretkovska. In the process of the research it is established that the nature of literary everyday life in the texts selected for analysis is determined by attention to the inner world of the character that is typical for women’s prose. It is noted that women’s images described in the analyzed texts completely contradict patriarchal ideas about the role of women in society and family. Such components of the everyday life of the characters as woman’s life, body and actions become the key to revealing her inner world. It is noticed that the external demonstrations of everyday life (space, time, clothing, body, reactions of the characters, etc.) become a reflection of the inner world of the characters. The following methods of modeling of everyday life in the prose of I. Rozdobudko and M. Gretkovskaya are singled out: construction of own representation of time by characters; «stretching» or «stopping» of time; laconicism in space modeling; emphasis on details; focusing on sensory sensations; close intertwining of the real with the unreal; concentration on corporeality, sensuality; attraction to the naturalism of the image; increased attention to the personal, private life of the character; autobiography; reproduction of global problems of the country or epoch through modeling of destiny of one person; fragmentary modeling of images and situations; the impact of the death of a pet on the emotional state of the character; modeling of provocative situations and images in order to encourage the reader to think, search for the truth. It is noted that writers implement these techniques within their authorial styles and ideas of novels in different ways. It is established that the authors use a wide range of artistic means: metaphors, comparisons, epithets, paradoxes, ironies, contrasting images, symbols, archetypes etc. Using a wide range of artistic means and techniques, writers construct models of everyday life of their characters in their own way. The results of the research can become the basis for a generalized theoretical description of the poetics of everyday life.

UK

У статті відзначено, що в результаті історичних, культурних і суспільних змін, що викликали інтерес до життя і творчості жінки, увагу літературознавців привернула художня повсякденність в українській та польській сучасній жіночій прозі. Повсякденність у жіночій прозі стала дзеркалом світогляду, філософії, почуттів та емоцій жінки. Актуальність дослідження зумовлена відсутністю в літературознавстві чіткої системи засобів та прийомів, що належать до поетики художньої повсякденності. Метою роботи стала спроба систематизації засобів та прийомів художнього осмислення повсякденності у текстах І. Роздобудько і М. Ґретковської. У ході дослідження встановлено, що характер художньої повсякденності в обраних для аналізу текстах зумовлений типовою для жіночої прози увагою до внутрішнього світу персонажа. Зауважено, що жіночі образи, змодельовані у проаналізованих текстах, повністю суперечать патріархальним уявленням про роль жінки в суспільстві та родині. Такі складові повсякденності персонажів, як: побут, тіло, вчинки жінки – стають ключем до розкриття її внутрішнього світу. Помічено, що зовнішні прояви повсякденності (простір, час, одяг, тіло, реакції персонажів та інше) стають віддзеркаленням внутрішнього світу персонажів. Виокремлено наступні прийоми моделювання повсякденності у прозі І. Роздобудько та М. Ґретковської: конструювання власних відліків часу персонажами; «розтягування» чи «зупинки» часу; лаконізм у моделюванні простору; акцент на деталях; зосередження уваги на сенсорних відчуттях; тісне переплетення реального з ірреальним; концентрація на тілесності, чуттєвості; тяжіння до натуралістичності зображення; посилена увага до особистого, приватного життя персонажа; автобіографічність; відтворення глобальних проблем країни чи епохи через моделювання повсякденності однієї людини; фрагментарне моделювання образів і ситуацій; вплив смерті домашнього улюбленця на емоційний стан персонажа; моделювання провокативних ситуацій і образів з метою заохочення читача до роздумів, пошуку істини. Відзначено, що мисткині по-різному реалізують перелічені прийоми в межах своїх авторських стилів та ідей романів. Помічено, що авторки послуговуються широким спектром художніх засобів: метафори, порівняння, епітети, парадокси, іронії, контрастні образи, символи, архетипи тощо. Письменниці, кожна по-своєму, конструюють моделі повсякденності персонажів, послуговуючись широким спектром художніх засобів і прийомів. Результати дослідження можуть стати підґрунтям для узагальненого теоретичного опису поетики повсякденності.

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1 Annales Universitatis Mariae Curie-Skłodowska, sectio AAA – Physica

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1 Смаровоз (Smarovoz) І. І.