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1

Idealization and arrangement in drawn architecture

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Charciarek M.

Czasopismo Techniczne

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PL

The creator of a drawing in the process of unifying idea and architectural material is giving that relation a suitable aesthetic dimension, trying to see in it a clear unity of form and matter. Recording, sketching, drawing – in the face of such delimitation, establish an appropriate range of imagination and organize thinking about architecture ‒ from the idea of illustrating the shape of the intention to making it materialize. Drawing requires an effort of mind and thoughts, matter- that of ordering and selection.

2

Three ideas of modernity – three materials of concrete architecture

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Charciarek M.

Czasopismo Techniczne

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PL

It is a common sentiment that concrete is the symbol and essence of materiality in architecture. For many designers the experience of concrete – the liquid stone – is the moment of getting the primeval insight into the nature of architecture and a confirmation that all that exists in the sphere of architecture has some form and matter. From this source spring the works of many an architect. In the following article three examples of Parisian architectural designs are presented, ones that have had influence over the development of ideas in modern architecture. Concrete buildings of Auguste Perret, Le Corbusier and the Beckmann N’Thépé atelier constitute the proof that confirms the thesis that some ideas remain, while others pass – the concrete matter, even though it is subjected to changes, has remained for a hundred years firmly united with the thought that brings the physical shape of architecture to fruition.

3

Playing “hide and seek” or penetrating architecture

100%

Charciarek M.

Czasopismo Techniczne

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PL

Creating a relationship between space and the matter of a work of art has resulted in the fact that the relationships between the exterior and the interior are more important than ever before during the development of modern architecture. Together with the modernist revolution, the engagement of creators in surpassing the threshold of the visible exterior to enter the purely internal plane became the basis for the most radical manifestation of freedom and everything that is connected with defining the new architecture.

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3 Czasopismo Techniczne

3 2016

3 Charciarek M.

Idealization and arrangement in drawn architecture

Three ideas of modernity – three materials of concrete architecture

Playing “hide and seek” or penetrating architecture