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PL
The article describes the importance of freehand drawing in the daily practice of an architectural design office. It presents the areas of activity in which freehand drawing is essential as well as those in which its importance has decreased. It presents the function of freehand drawing in communication with both an investor and other entities participating in the design process. The author emphasizes the individual character of every creator’s freehand drawing as well as the easiness and freedom of thoughts expression offered by this tool in daily professional work.
PL
The paper describes the process and effects of two open-air drawing sessions organised by Department of Civil Engineering and Architecture, Faculty of Civil Engineering, Opole University of Technology. The open-air drawing sessions took place in 2013 in Opole and Gliwice, and in 2014 in Pavia. The aim of the sessions was to improve the ability of synthetical and analitical freehand drawing, a comprehensive communication tool, which also simplifies the work with computer. Furthermore, young architecture students had the possibility to broaden their knowledge about buildings and complexes in a wide range of revaluation and revitalization. Students and teachers from architecture and engineering studies from Poland, Italy, Denmark, Spain and Finland took part in those open-air drawing sessions. In this European Union project called “Let’s Exchange HERitage of our CULture – Drawing as a Communication Tool of Students of Architecture/ Engineers from European UniversitieS – HERCULES” freehand drawing was means of cognition and the main goal was to broaden the knowledge of cultural heritage.
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