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vol. 125
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issue 4A
A-88-A-92
EN
This paper presents a new model of the multi-channel sound synthesis system. The research objective was to design and construct a sixteen-channel sound control system located in an open area with dimensions of 23.48 m×17.48 m. The main goal of the system operation is to provide, for the controlled acoustic field, the uniformity of the parameters distribution while minimizing the sound pressure level in the protected area. The modeling and simulation researches have been performed using the Finite Element Method (FEM). The results of the analysis include distributions of the sound pressure levels and phase angle for the selected frequencies. The paper presents results of sensitivity studies and optimization for different variants of the sound synthesis system.
EN
The paper presents an original method for sound reinforcement in open areas. The method enabled both a regular sound reinforcement and the required spatial impressions of sound to be achieved in the area used for the study. The inverse image source method was used for the disposition of sound sources in order to find the inverse problem solution for determining the configuration of additional sound sources. Simulations demonstrated the improvement of sound impressions in the area in question and the simulations results were verified experimentally. The intended result of the proposed method was the increase of the lateral energy fraction and lateral energy fraction coefficient parameter values by 6 and 8 points, respectively, for the simulation by 5 and 7 points for the experiment. It should be stated that, in both the simulation and the experiment, eligible values for the acoustic parameters were obtained after using the sound system with additional sound sources, the speech intelligibility value parameters remain at an excellent level. In conclusion, it may be claimed that the proposed sound reinforcement system makes the creation of the intended spatial sound impressions in an open area possible.
EN
Determining of Kraków Opera House's basic acoustics parameters by using numerical simulations is presented in the paper. Parameters have been obtained by using numerical simulation methods. Sound sources have been created by means of FEA, however acoustic field distributions have been analysed by geometrical methods. Apart from the room parameters definition, it is necessary to determine sound source parameters like acoustic power level and directivity pattern. In the simplest case, the sound source can be assumed as omni-directional point source. However it does not reflect most real-live sources precisely. When the literature and databases do not contain any information about the sound source directivity pattern, it can be obtained numerically using FEA. First, the sound source model is created, and then results from its spherical boundary are used to define the source in a program based on geometrical methods. Here have been analysed several distributions of acoustic parameters like: Direct Energy, Sound Pressure Level (SPL), Clarity index (C80) etc. The results indicate that influence of sound source directivity on acoustics parameters changes is essential.
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