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2012 | 5 | 89-98
Article title

Matematyka w sztuce – anamorfoza

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Abstracts
EN
In painting, anamorphosis means a representation of images distorted at the surface, which from a certain point of view turn out to be regular and made according to proper proportions. Questions arise: which geometric rules describe these transformations and how to classify them? Do those perspective tricks have practical use? Descriptive and analytic geometry tries to answer these and many other questions and shows another close connection between mathematics and art.
References
  • Baltrusaitis J., Anamorfozy, Gdańsk 2009.
  • Bartel K., Perspektywa malarska, t. 2, Warszawa 1958.
  • Białostocki J., Albrecht Durer jako pisarz i teoretyk sztuki, Wrocław 1965.
  • Kemp M., The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat, Yale 1990.
  • Massey L., Picturing Space, Displacing Bodies, Anamorphosis in Early Modern Theories of Perspective, Pennsylvania 2007.
  • Niczyporowicz E., Krzywe płaskie, wybrane zagadnienia z geometrii analitycznej i róż- niczkowej, Warszawa 1991.
  • Panofsky E., Perspektywa jako „forma symboliczna”, Warszawa 2008.
  • Zdziarski A., Podstawy powstawania rzutu anamorficzno-refleksyjno-walcowego, Kielce 1979.
  • Zdziarski A., Klasyfikacja i nazewnictwo obrazów anamorficznych, „Biuletyn PTGiGI” 2005, nr 15.
  • Zdziarski A., Pałka A., Limaçon of Pascal as an Anamorphic Image of a Circle, „The Journal of Polish Society for Geometry and Engineering Graphics” 2011, vol. 22, s. 3–6.
  • Pałka A., Mathematics in art – anamorphosis, [w:] Modern research trends of Young scientists: current status, problems and prospects, ed. M. Baranowska-Szczepańska, M. Gołaszewski, Poznań 2012.
Document Type
article
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YADDA identifier
bwmeta1.element.psjd-0377cbf2-acb1-435c-95e5-37b2447c62e6
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